Film Reviews In ‘Weed & Wine’ Meet Two Artisan Families, One makes French Wine, the Other California Cannabis By Gregory Crofton The documentary “Weed & Wine,” a selection at this year’s DOC NYC, is part of its director’s mission to help normalize the marijuana business. Rebecca Richman Cohen’s new film juxtaposes the daily lives of a long-time wine producing family from Southern France with that of a family that grows weed in Humboldt County, California. The comparison is a stretch, but Cohen is right to show how the business of growing and selling legal marijuana is at a crucial juncture in United States. The industry is in the process of leaving behind the black market for a brand new speciality market, like the global one that has long-existed but is clearly defined for wine. Vintner, Aurélien Thibon-Macagno With cool graphic elements and a fitting soundtrack, this documentary goes down easy. It looks good but more detailed well-photographed shots of pot would have been appreciated and appropriate. While the doc has a slight snatch-and-grab TV feel, it was an ambitious project. You learn a thing or two about both types of businesses. In California, one pound of pot was once worth $5,000, but that’s dropped to around $1,000 with legalization. And in France, global warming is impacting weather patterns that challenge winemakers and produce fewer grapes. Cannabis farmer, Kevin Jodrey Some humanity also shines through in this film. “Weed & Wine” peeks into the two different worlds to show how an artisan family passes know-how to the next generation: Mother to son in France; father to son in California. In addition to her film work, Cohen is a Lecturer at Harvard Law School, where she earned a degree. Cohen also examined the evolution of the marijuana business in the Op-Doc “The Fight Over Medical Marijuana” from 2012, and the feature-length “Code of the West” from the same year. Filmmaker Rebecca Richman Cohen To learn more about “Weed & Wine,” visit its website here, no trailer is available yet. Share This Previous ArticleOBJECTS ALSO DIE: The Last Days of the Ambassador Hotel Next ArticleThe Reagans: Part 1 November 30, 2020